Jesus Christ Superstar chronicles the last seven days
in the life of Jesus of Nazareth as seen through the eyes of
his disciple, Judas Iscariot, who has become disillusioned with
the movement. At the opening of the play, Judas agonizes over
his perception that Jesus' followers have become fanatical and
unrealistic, hailing him as a god and twisting his words into
monstrous prophecies. After all, in Judas' mind, Jesus is only
a man--a man with certain inconsistencies, as evidenced by his
relationship with Mary Magdalene. As the crowds in the street
grow more and more out of control, the rift between Jesus and
Judas grows. After watching Jesus lose control in the temple,
lashing out at the moneylenders and merchants, then begging to
be left alone when a crowd of cripples surround him asking to
be healed, Judas is more convinced than ever that the man from
Nazareth is just that--a man, and nothing more. He determines
that Jesus, having lost control of the mob, has become dangerous
and must be stopped. He goes to the priests and gives them all
the information they need to catch Jesus alone so that they can
take him prisoner without risking violence by the mob. After
leading the soldiers to Gethsemane, however, and watching the
events that unfold, Judas soon realizes that he has been tricked
by God into being the instrument of Jesus martyrdom. Furious
that the man from Nazareth will be remembered as a "Superstar,"
Judas hangs himself.
Originally appearing as a record because producers were afraid
to take a chance on such a daring production, Jesus Christ
Superstar eventually premiered at the Mark Hellinger Theatre
in New York on October 12, 1971 with Ben Vereen (Judas), Jeff
Fenholt (Jesus), Yvonne Elliman (Mary), Barry Dennen (Pilate),
and Paul Ainsley (Herod). Despite opposition from certain religious
groups, this production became a huge boxoffice hit and ran for
720 performances. The 1973 film version featured Ted Neeley and
Carl Anderson.
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